晛敦煌
敦煌随着时间流转，壁画斑驳、古迹风化，但它所承载的艺术、信仰与故事依然熠熠生辉。
本作品以沉浸式交互体验的方式，重新诠释敦煌的文化，打破传统观展模式，观众在虚实交融的空间中，与历史对话、与艺术共鸣。
As time passes, Dunhuang’s murals have become mottled and its historic sites weathered, yet the art, faith, and stories they carry continue to shine. Through an immersive interactive experience, this work reinterprets Dunhuang culture and breaks away from conventional exhibition formats, inviting audiences into a space where the virtual and the real converge—to converse with history and resonate with art.
我的角色
我在项目中担任平面主策划，独自负责第二幕敦煌飞天女画面。
In this project, I served as the lead visual planner and independently created the imagery for Act II, featuring the Dunhuang flying apsaras.
In this project, I served as the lead visual planner and independently created the imagery for Act II, featuring the Dunhuang flying apsaras.
作品入展
山门来吧•数字艺术馆作为北京极具影响力的数字艺术空间，展览场地具备高质量的设备与观众流量，为作品的真实呈现与反馈提供了极具价值的场域。
空间结构呼应石窟层叠感，通过光影与粒子流动，将静态壁画转化为动态场景， 为观众呈现从古至今的敦煌色彩美学，以数字媒介赋予其新生，让观众瞬间沉浸于“一眼千年”的震撼之中。
项目总结
𪾢·敦煌沉浸式空间以敦煌文化为核心，通过传统色彩与数字技术交融，再现千年艺术辉煌。
